I had to communicate with partners, adjust delivery and launch timelines and keep everyone aligned. It was chaotic, but staying hands-on and problem solving in real time allowed us to manage expectations and move forward despite the delay.
bank's computer systems.
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It's relatively unchartered territory for the series, allowing production designer Alison Gartshore, costume designer John Glaser, and hair and makeup designer Nic Collins to consider what Bridgerton looks like if Wednesday Addams landed in the Ton. But it also allows for quietly moving performances from two characters we'll see much more of in the future.