Of course, micro-dramas, which are scripted, filmed and released in mere months, don't offer the same quality or narrative depth as movies and streamed shows. The sets are not sophisticated, the actors are mostly novices, and the AI-driven scenes can feel uncanny under scrutiny.
We’ve entered into a Faustian pact with these companies: “While it’s brilliant to have access to high-quality products and software, very often for ‘free’, it’s important to remember that there is a trade-off involved – often of our personal data and privacy,” says Lisa Barber, tech editor at Which? We give these companies our attention and our information, which they then turn into big bucks and apparently unassailable monopolies.
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Born in Egypt but raised in the United States, Michael attended Harvard University as an undergraduate and earned a law degree from Stanford. He began his career with a quick stint at Goldman Sachs as an associate in the communications, media, and entertainment investment banking group, before jumping into tech at Tellme Networks in 1999, a voice-recognition company that he helped run before it was acquired by Microsoft in 2007 for roughly $800 million.